Oh my god. I just don’t give a shit about the pheasant chicks, or the brambles in the allotment, or the hawthorn bush, or the fieldfares in the meadow. Reservoir 13 has 13 chapters, each spanning a year in the life of a Peak District village. It opens with the disappearance of a 13 year old visitor to the village, Becky, or Bex, or Rebecca. She is lost on the moors and no trace of her is found.
The disappearance is revisited fairly often in the following chapters. A lot of them ending with a statement about her disappearance. There is repetition between the 13 chapters as the girl is still missing, her whereabouts unknown, but life still has to move forward.
We slowly get to know a lot of characters in the village. Some move on, some move in. Relationships start, and relationships end. We get snippets of village life. After around 8 years worth of tiny fragments of village life I started getting who everyone was. They often do the same things year after year because that’s what people do.
Almost every other sentence is a statement about what the natural world is doing at that time of year. Good god, it was tedious.
At first I wondered if I wasn’t enjoying it because I was listening to an audio book version of it. I’ve never really done audio books (except the Harry Potter series about 10 years ago when I had a particularly long commute to work) but the kindle version and paper book versions were really expensive, so I’ve got an audible trial. I needed to read it this week because it’s my book club read and we are meeting this week (review will be published as we meet!). I’m now really glad I didn’t read this myself because looking at some reviews, there are hardly any paragraphs and speech isn’t distinguished from any other text?!
Other reviews of Reservoir 13 are full of praise. I just can’t join in. I’m so glad it’s over and feel a bit mad that I wasted my time on it. Perhaps I’m supposed to see something deeper. The reviews would have you believe that you really should. Well, I obviously like my fiction to be upfront and interesting at face value. I don’t want hidden depth behind a boring story.
I need to add in something positive… at least I know what a fieldfare is now.
You don’t even find out what happened to the girl. There is no story, no protagonist, nothing. It’s a monotonous, repetitive soap opera about some ordinary village folk who basically have the most depressing lives.