This is a brilliant collection of seven essays on feminism. It sets out succinctly and in a clear, straightforward way, all the shit that we need feminism for. They describe the ways in which women are not equal. Each essay covers something different. We have the title essay – now widely known as mansplaining, but more about that term in a minute. We have violence against women, class war and terrible economic history, marriage equality, the efforts to make women invisible in society, intellectual freedom, and finally how ideas about feminism can’t be put back in a box and ignored: they are out there and won’t go away! It’s all the things I wish I could memorise and repeat when I meet someone who scoffs and states we don’t need feminism.
Each essay has a cover page with an image by Ana Teresa Fernandez on. I really liked these. Occasionally they are referred to in the essay themselves, but not in most cases. Throughout each essay you get key sentences written out again in bold and large lettering. I think to break up the text. They are a bit annoying. The only negative thing I have to say about the whole book. There are some great phrases in these essays:
part of the same archipelago of arrogance.
I’ll leave you to imagine what this was in reference to.
The first and title essay is funny, and depressing and so familiar.
It’s about the thin end of a scary wedge. This essay is describing the phenomena now widely known as mansplaining, though Rebecca Solnit doesn’t like that phrase as she explains in an addition to the original essay featured in this collection.
The point of the essay was never to suggest that I think I am notably oppressed. It was to take these conversations as the narrow end of the wedge that opens up space for men and closes it off for women, space to speak, to be heard, to have rights, to be respected, to be a full and free human being.
Rebecca Solnit
The second essay, The Longest War, is about rape and violence against women. It’s stark and depressing and motivating. I needed a bit of a break after the second essay before I could read the third. It was just too much to take in all at once. This isn’t a criticism, it’s powerful reading.
The third, is framed around Dominique Strauss Khan and the hotel maid scandal. It touches on class war, the damaging policies of the IMF and the rich fucking over the poor.
Chapter four is marriage equality. It explores how gay marriage is an affront to people who want to preserve traditional gender roles (i.e. men being the source of power in the marriage) because a marriage between two men or two women is inherently equal.
Chapter 5, Grandmother Spider, is about the erasure of women. In biblical genealogy, lineage is from father to son. Women are ignored. The entire side of someone’s family on their mothers side is erased. Women’s names are erased on marriage. You used to become Mrs husbands name. I’ve had post arrived addressed to me in this way and it’s infuriating! Veils are a way of disappearing a women. So is confining her to a home and not enabling women to take part in public life. It starts out looking at the bible and ends with examples in the modern world. I really enjoyed this essay, especially because I’m already so familiar with the history of women in science and how often women have been overlooked.
When I was young, women were raped on the campus of a great university and the authorities responded by telling all the women students not to go out alone after dark or not to be out at all. Get in the house. (For women, confinement is always waiting to envelope you.) Some pranksters put up a poster announcing another remedy, that all men be excluded from campus after dark. It was an equally logical solution, but men were shocked at being asked to disappear, to lose their freedom to move and participate, all because of the violence of one man.
Rebecca Solnit
Next we have a chapter starting with a Virginia Woolf quote:
The future is dark, which is the best thing the future can be, I think
Virginia Woolf, 1915.
It wasn’t really clear what this is about at first. It talks of Sontag and if art is hopeful or dark or something. It’s a bit more abstract that the others and so I struggled with it. It references another of her books Hope In The Dark and is about having hope. How your actions might have unintended, amazing consequences. you can’t know if your actions will have the effect you want, but you should try just in case it does, or in case it has unintended consequences. There are examples to illustrate all this. It gives a great case for wandering about and walking being great for creativity and introspection.
This essay is still great, but it’s also a bit advert for Rebecca Solnit’s other books (which I know I will end up ordering and reading – in fact, Hope in the Dark arrived yesterday!), which I now want to read (Hope in the Dark was already high up on my wishlist because of Josie Long singing it’s praises on Bookshambles). I also now must read some Virginia Woolf and her essay on wandering the streets of London! I love how reading one thing makes me want to read others. Though I really don’t need any more books… says every reader, ever.
Essay 7: Pandora’s Box and the Volunteer Police Force is about the progress feminism has made. About how once an idea has been released it can’t be put back in its box.
Homophobia, like misogyny, is still terrible; just not as terrible as it was in, say, 1970. Finding ways to appreciate advances without embracing complacency is a delicate task. It involves being hopeful and motivated and keeping eyes on the prize ahead. Saying that everything is fine or that it will never get any better are ways of going nowhere or of making it impossible to go anywhere. Either approach implies that there is no road out or that, if there is, you don’t need to or can’t go down it. You can. We have.
Rebecca Solnit
I’m going to need to reread these essays several times, just so the next person who says we don’t need feminism to me, can get a well thought out, intelligent earful about exactly why we definitely do. I struggling to put quotes in this review because I highlighted almost every other sentence. Rebecca Solnit is my new hero.
I’m very keen to read this, I’ve been hearing a lot of great things about Rebecca Solnit’s work and this sounds fascinating.
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It’s really good – I definitely recommend it. She has a new essay collection out this year too.
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I really like the instructor of the woman hanging the sheet. Though likely the result of a hard breeze, even get sheet is form fitting, reducing her to something to be looked at as a sexual object.
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I really like the image of the woman hanging the sheet. Though likely the result of a hard breeze, even get sheet is form fitting, reducing her to something to be looked at as a sexual object.
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That whole series by Ana Teresa Fernandez is really great. I think the sheet one is probably my favourite.
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